Two of the big four fall movie festivals kick off this weekend, and they will shape the culture for the next six months with everything from Chris Hansen biopics to Godzilla...

Coyote vs. Acme is a Looney Tunes gem that almost died as a tax write-off, but it represents so much else of what Hollywood left buried.

The End of Oak Street is the rare thing: a dinosaurs-attack movie not attached to the Jurassic Park franchise. And its studio seems almost scared of it.

Callum Turner and Monica Barbaro sizzle in a cozy excuse to make love while the world burns. There’s a reason we need these kinds of love stories.

Spider-Man: Brand New Day brings back organic webbing with humor and style, recontextualizing one of the first great fan vs. filmmaker flair ups.

After Odyssey, and ahead of Dunesday, a shift in audience tastes is underway, but it may have as much to do with rejecting AI as it does an embrace of IMAX.

The Odyssey is yet another peak and peek into Christopher Nolan’s biggest fears, dreams, and troubles with great men and the women they leave behind.

Exclusive: The Odyssey’s Matt Damon and Anne Hathaway open up about the underrated acts of kindness that make Christopher Nolan’s direction so unique.

Minions & Monsters is packed with classic movie references, and its director hopes curious kids will see it as an invitation to discover film history.

A closer look at Supergirl argues that while DC's latest movie has its flaws, the rush to bury it may be overlooking the very thing modern superhero movies have been missing.

Michael Sarnoski’s dark new take on Robin Hood has us looking deeper into why fans resist seeing their childhood heroes reach the end of their road.

Steven Spielberg loves to communicate ideas about family, fear, country, and life itself in stories of alien encounters, and Disclosure Day may include his most timely message yet.

Our visit to the Supergirl set shines a spotlight on the overlooked artistry that makes blockbuster moviemaking feel like a miracle.

A new wave of online filmmakers is turning YouTube fandom into box office gold, and now they've got Hollywood's attention.

The Mandalorian and Grogu may foreshadow a less mythic future for the Star Wars franchise in which endless safe content is churned out for the masses.

The backlash over Christopher Nolan’s The Odyssey says a lot more about online culture wars (and people who clearly never read Homer) than it does about the movie itself.

In an exclusive interview, Mortal Kombat co-creator Ed Boon discusses the shift in video game movie adaptations ahead of the premiere of Mortal Kombat II.

Andy Serkis sits for a wide-ranging discussion about Animal Farm, changing the letter but not the spirit of Orwell, how his cat inspired Gollum, and his run-in with a particularly mean ape.

In the inaugural Absolute Cinema, Senior Editor-at-Large David Crow examines the controversy around Michael’s total lack of controversy, and what that means for the box office..